LIDYA BUZIO
PUBLIC COLLECTIONS:
Brooklyn Museum of Art, Painting and Sculpture Collection, New York
Los Angeles County Museum of Art, California
Renwick Gallery of the National Museum of American Art, Smithsonian Institution, Wash., D.C.
Museum of Fine Arts, Painting and Sculpture Collection, Houston, Texas
San Francisco Fine Arts Museums, California
Everson Museum of Art, Syracuse, New York
Nelson-Atkins Museum of Art, Kansas City, Missouri
Rhode Island School of Design Museum, Providence, Rhode Island
Contemporary Museum, Honolulu, Hawaii
Long Beach Museum of Art, California
Berkeley Art Museum, University of California
The Hallmark Fine Art Collection, Kansas City, Mo.
Taipei Museum of Fine Arts, Taiwan
Victoria and Albert Museum, London, England
EXHIBITIONS: * catalogue + travelling
One Person
| 2006 |  | Art Sites, Greenport, New York |
| 2004 | | Garth Clark Gallery, New York |
| 1996 | |
Garth Clark Gallery, New York |
| 1993 | |
Garth Clark Gallery, New York |
| 1992 | |
Garth Clark Gallery, Los Angeles |
| 1991 | |
Garth Clark Gallery, Los Angeles and New York |
| 1989 | |
Garth Clark Gallery, Los Angeles |
| 1988 | |
Garth Clark Gallery, New York |
| 1987 | |
Garth Clark Gallery, Los Angeles |
| 1986 | |
Garth Clark Gallery, New York
Fuller/Goldeen Gallery, San Francisco |
| 1985 | | Everson Museum of Art, Syracuse
Garth Clark Gallery, Los Angeles |
| 1984 | | Greenberg Gallery, St. Louis |
| 1983 | | Garth Clark Gallery, Los Angeles and New York
Thomas Segal Gallery, Boston |
| 1977 | | Rawspace Gallery, New York |
| 1973 | | Greenwich House Pottery, New York |
Group
| 2007 | | Cityscape/Landscape, The Clay Studio, Philadelphia, Pa.
| 2006 | | Line-Plane-Volume/Sculpture: 1944-2006, Cecilia de Torres, Ltd., New York
ArtBasel/MiamiBeach, Cecilia de Torres, Ltd.
ARCO, Madrid, Cecilia de Torres, Ltd.
ArteBA, Buenos Aires, Argentina, Cecilia de Torres, Ltd.
| 2005 | | FRAGILE: Think With Care, Wyvern University Gallery, U. of Essex, Great Britain
Works ON &OF Paper, Cecilia de Torres, Ltd., New York City
School of The South, Marlboro College, Vermont
ArtBasel/MiamiBeach, Cecilia de Torres, Ltd.
ARCO, Madrid, Cecilia de Torres, Ltd.
ArteBA, Buenos Aires, Argentina, Cecilia de Torres, Ltd.
ArteAmericas, Coconut Grove, Florida, Cecilia de Torres, Ltd. |
| 2004 | | Tea, Anyone? The Donna Moog Teapot Collection*
ARCO, Madrid, Cecilia de Torres, Ltd.
ArteBA, Buenos Aires, Argentina, Cecilia de Torres, Ltd. |
| 2003 | | Fast Forward II, Berkeley Art Museum, University of California
Spring Exhibition, Robischon Gallery, Denver, Colorado
Mint Museum of Craft & Design, Charlotte, N.C. |
| 2002 | | New Works, Art Site, Greenport, New York
The Artful Teapot, 20th C. Expressions from the Kamm Collection, Napa, Ca., Montgomery
Museum of Fine Art, Montgomery, Al.,
Gardiner Museum of Ceramic Art, Toronto, Canada, Long Beach Museum of Art, Ca. *+ |
| 2001 | | U.S.A. Clay, Renwick Gallery, National Mus. American Art, Smithsonian Inst., Wash., D.C. |
| 2000 | | Works from the Saxe Collection, M.H. de Young Memorial Museum, S.F., Cal.*
The Smits Collection and Related Works, Los Angeles County Museum of Art, Cal.*
A Latin American Metaphysical Perspective, Cecilia de Torres, Ltd., New York City |
| 1998 | | Real & Imagined, Robischon Gallery, Denver, Colorado |
| 1997 | | New Works, Robischon Gallery, Co. |
| 1996 | | A Walk in the Woods, Islip Art Museum, New York
The Still Life, Cecilia de Torres, N.Y. |
| 1995 | | 65 Years of Constructivist Wood, Cecilia de Torres, Ltd., N.Y. |
| 1994 | | The Collector's Eye: Contemporary Ceramics from the Aaron Milrad
Collection, The Koffler Gallery, Toronto, Canada * |
| 1991 | | Parallels & Divergence: One Heritage 2 Paths, Daniel Saxon Gallery, L.A. *+ |
| 1990 | | Rituals of Tea, Garth Clark Gallery, LA |
| 1989 | | Surface and Form: A Union of Polarities in Contemporary Ceramics,
The National Museum of Ceramic Art, Baltimore, MD. *
Kansas City Collects Contemporary Ceramics, Nelson-Atkins Museum of Art, Kansas City, MO. * |
| 1987 | | Contemporary Hispanic Arts in the United States, Corcoran Gallery, Washington, D.C. *+
Selections from the Howard & Gwen Laurie Smits Collection, Los Angeles County Museum of Art, CA. * |
| 1986 | | American Potters Today, Victoria and Albert Museum, London, U.K. *
Beyond Clay, Kiley Hall Gallery, Queens College-CUNY, Flushing, N.Y.
Painted Volumes, Chrysler Museum, Norfolk, VA.
Ceramics - a Survey, Joanne Lyon Gallery, Aspen, CO. |
| 1985 | | Contemporary American Ceramists/ Twenty Artists, Newport Harbor Art Museum, Newport Beach, CA. |
| 1983 | | Ceramic Echoes, Historical References in Contemporary Ceramics, Nelson-
Atkins Museum, Kansas City, MO. *+
Constructions, San Francisco International Airport Arts Commission, CA. |
| 1981 | | Group Exhibition, Clayworks Gal., N.Y |
| 1980 | | Teapot Invitational, Horizon Gal., CA. |
| |
Books and Catalogues:
Contemporary Art Society, Kansas City, Missouri, 1983.
McCready, Karen, Contemporary American Ceramics, Twenty Artists. Newport Harbor Art Museum, California, 1985
Beardsley, John, Jane Livingstone & Octavio Paz. Hispanic Art in the United States: Thirty Contemporary Painters and Sculptors. Museum of Fine Arts, Houston, Texas, 1987.
Clark, Garth, ed. Ceramic Echoes: Historical References in Contemporary Ceramics.
____, and Oliver Watson. American Potters Today. Victoria & Albert Museum, London, U.K., '86.
____, American Ceramics, 1876 to the Present. Abbeville Press, New York, 1988
Levin, Elaine, History of American Ceramics, 1607 to the Present. Harry N. Abrams, Inc., N.Y., 1988
____, The Eccentric Teapot. Ibid, 1989.
Johnston, Phillip M., Kansas City Collects Contemporary Ceramics. Nelson-Atkins Museum of Art,
Kansas City, Missouri, 1989.
McTwigan, Michael, Surface and Form: A Union of Polarities in Contemporary Ceramics, The National Museum of Ceramic Art, Baltimore,
Maryland, 1989
Perry, Barbara, ed. American Ceramics, The Collection of the Everson Museum of Art. Rizzoli, '89
____, The Book of Cups. Ibid., 1990
Lynn, Martha Drexler, Clay Today: Contemporary Ceramists and Their Work. Los Angeles County Museum, California, 1990
The Collector's Eye: Contemporary Ceramics American, Canadian and British from the Collection of Aaron Milrad, The Koffler Gallery,
Toronto, Canada, 1994
Del Vecchio, Mark, Postmodern Ceramics, 2002
PERIODICALS:
Buzio, Lidya, "Ceramic Cityscapes," Studio Potter 11, n°. 2 (1983)
____, "Line and Rhythm," Studio Potter 14, n° 1 (1985)
"The Fine Art of Collecting Crafts," Changing Times, (November 7, 1987)
Lebow, Edward, "Lidya Buzio, Duple Rhythms," Ceramic Arts 1, (1983)
____, "Lidya Buzio in Perspective," American Ceramics 2, (Spring 1983)
Pincus, Robert L., "Museum Exhibits some Evocative Feats of Clay," The San Diego Union, (6/2/85)
Gottlieb, Shirle, "Ceramic Art that Breaks with Tradition," Long Beach Press Telegram, (6/7/85)
Stevens, Mark, "Devotees of the Fantastic," Newsweek, (September 7, 1987)
The Magazine of the Los Angeles County Museum of Art (1989)
Harrison, Helen A., "A Walk in the Woods," New York Times, (October 27, 1996)
Bradley, Jeff, "Art exhibit a 'moving show,'" The Denver Post, (August 17, 1998)
Zamorano, Antonio Vivas, Revista Internacional Ceramica, Barcelona, Spain (2002)
Morgan, Robert C., American Ceramics, Winter 2005-2006
Benjamin Genocchio, Art Sites review, New York Times, (September 17, 2006)
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