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CECILIA DE TORRES, LTD. is pleased to present
SQUARE ROOTS
Paul Bowen
David Cabrera
Eduardo Costa
Liz Deschenes
MP Landis

Essay: Contemporary Quadrilateral Literalism with Heart
by Jennifer Liese
Curated by Ladd Spiegel
Exhibition: February 18 - April 1, 2000

Recalling the square, our modern art-historical memory delves back to Mondrian's pilgrimage from nature to the Neoplastic and Malevich's archetypal Suprematist icons. Drifting onward along time's line, we unearth Albers' mid-century series, "Homage to the Square," and a vast sweep of color fields. And in more recent recesses, the mind most likely alights on one or another Minimalist slab. The square - on the surface so very simple, with its four sides of equal length, four angles of equal degree - has served the twentieth century's artists graciously, comprising and conveying manifold meanings just by being its ever-accommodating self.

In its more recent incarnations, this repository, like any malleable entity, has perhaps suffered at the hands of its interpreters. Emerging in the infancy of abstraction as a lofty conduit to metaphysical consciousness, a cipher of the fourth dimension, the square becomes, by the 1960s, an emblem of the prefabricated industrial object, a cold symbol of Carl Andre's "significant blankness," a tabula rasa forbidden inscription. What woeful injustice for the shape the ancients imbued with the power to fend off plagues, the shape from which the logarithmic spiral of shells and celestial nebulae springs, the shape that, given three dimensions, promised protection from a deluge of evils, until Pandora lost her will.

It is a vital pleasure, then, to find the square, of late stripped bare, redeemed in "Square Roots," an exhibition of painting and sculpture by eight contemporary artists who reinfuse the quadrilateral (a few rectangles sneak in) with history, humanity, tactility, and spirituality. Ladd Spiegel, curator, is the second of Cecilia de Torres' artists to present a show contextualizing a loose family of Constructivist-inspired artists.

Excerpt from the essay: Square Roots: Contemporary Quadrilateral Literalism with Heart by Jennifer Liese, editor of Provincetown Arts magazine.

Square Roots: Contemporary Quadrilateral Literalism with Heart by Jennifer Liese

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